Harcourt Brace Jovanovich, 1956
Introduction by Richard Rovere
Contents:
Prologue in Burma:
- Shooting an Elephant, 1936 (Shooting an Elephant, 1950)
- A Hanging, 1931 (Shooting an Elephant, 1950)
- From Burmese Days, 1934
The Thirties:
- From Down and Out in Paris and London, 1933
- How the Poor Die, 1946
- From A Clergyman's Daughter, 1935
- From Keep the Aspidistra Flying, 1936
- From The Road to Wigan Pier, 1937
- From Homage to Catalonia, 1938
- From Coming up for Air, 1939
World War II and After:
- From The Lion and the Unicorn: Socialism and the English Genius, 1941
- England Your England, 1941 (Such, Such Were the Joys, 1953)
- Rudyard Kipling, 1942 (Dickens, Dali and Others, 1946)
- Politics vs. Literature: An Examination of Gulliver's Travels, 1946 (Shooting an Elephant, 1950)
- Lear, Tolstoy and the Fool, 1946 (Shooting an Elephant, 1950)
- In Defence of P. G. Wodehouse, 1945 (Dickens, Dali and Others, 1946)
- Reflections on Gandhi, 1949 (Shooting an Elephant, 1950)
- Second Thoughts on James Burnham, 1946 (Shooting an Elephant, 1950)
- Politics and the English Language, 1946 (Shooting an Elephant, 1950)
- The Prevention of Literature, 1946 (Shooting an Elephant, 1950)
- 'I Write As I Please', 1946 (Shooting an Elephant, 1950)
- Decline of the English Murder, 1946
- Some Thoughts on the Common Toad, 1946
- A Good Word for the Vicar of Bray, 1946 (Shooting an Elephant, 1950)
- Why I Write, 1946
- From Nineteen Eighty-Four, 1949
- Such, Such Were the Joys, 1952 (Such, Such Were the Joys, 1953)