George Orwell: As I Please -- 1944
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George Orwell

As I Please


['Don Quixote' - An art by Pablo Picasso] [d]


June 2, 1944

An extract from the Italian radio, about the middle of 1942, describing life in London:

Five shillings were given for one egg yesterday, and one pound sterling for a kilogram of potatoes. Rice has disappeared, even from the Black Market, and peas have become the prerogative of millionaires. There is no sugar on the market, although small quantities are still to be found at prohibitive prices.

One day there will be a big, careful, scientific inquiry into the extent to which propaganda is believed. For instance, what is the effect of an item like the one above, which is fairly typical of the Fascist radio? Any Italian who took it seriously would have to assume that Britain was due to collapse within a few weeks. When the collapse failed to happen, one would expect him to lose confidence in the authorities who had deceived him. But it is not certain that that is the reaction. For quite long periods, at any rate, people can remain undisturbed by obvious lies, either because they simply forget what is said from day to day or because they are under such a constant propaganda bombardment that they become anaesthetized to the whole business.

It seems clear that it pays to tell the truth when things are going badly, but it is by no means certain that it pays to be consistent in your propaganda. British propaganda is a good deal hampered by its efforts not to be self-contradictory. It is almost impossible, for instance, to discuss the colour question in a way that will please both the Boers and the Indians. The Germans are not troubled by a little thing like that. They just tell everyone what they think he will want to hear, assuming, probably rightly, that no one is interested in anyone else's problems. On occasion their various radio stations have even attacked one another.

One which aimed at middle-class Fascists used sometimes to warn its listeners against the pseudo-Left Worker's Challenge, on the ground that the latter was ‘financed by Moscow’.

Another thing that that inquiry, if it ever takes place, will have to deal with is the magical properties of names. Nearly all human beings feel that a thing becomes different if you call it by a different name. Thus when the Spanish Civil War broke out the B.B.C. produced the name ‘Insurgents’ for Franco's followers. This covered the fact that they were rebels while making rebellion sound respectable. During the Abyssinian war Haile Selassie was called the Emperor by his friends and the Negus by his enemies. Catholics strongly resent being called Roman Catholics. The Trotskyists call themselves Bolshevik-Leninists but are refused this name by their opponents. Countries which have liberated themselves from a foreign conqueror or gone through a nationalist revolution almost invariably change their names, and some countries have a whole series of names, each with a different implication. Thus the U.S.S.R. is called Russia or U.S.S.R. (neutral or for short). Soviet Russia (friendly) and Soviet Union (very friendly). And it is a curious fact that of the six names by which our own country is called, the only one that does not tread on somebody or other's toes is the archaic and slightly ridiculous name ‘Albion’.

Wading through the entries for the Short Story Competition, I was struck once again by the disability that English short stories suffer in being all cut to a uniform length. The great short stories of the past are of all lengths from perhaps 1,500 words to 20,000. Most of Maupassant's stories, for instance, are very short, but his two masterpieces, ‘Boule de Suit and ‘La Maison de Madame Tellier’, are decidedly long. Poe's stories vary similarly. D. H. Lawrence's ‘England, My England’, Joyce's ‘The Dead’, Conrad's ‘Youth’, and many stories by Henry James, would probably be considered too long for any modern English periodical. So, certainly, would a story like Merimee's Carmen. This belongs to the class of ‘long short’ stories which have almost died out in this country, because there is no place for them. They are too long for the magazines and too short to be published as books. You can, of course, publish a book containing several short stories, but this is not often done because at normal times these books never sell.

It would almost certainly help to rehabilitate the short story if we could get back to the bulky nineteenth-century magazine, which had room in it for stories of almost any length. But the trouble is that in modern England monthly and quarterly magazines of any intellectual pretensions don't pay. Even the Criterion, perhaps the best literary paper we have ever had, lost money for sixteen years before expiring.

Why? Because people were not willing to fork out the seven and sixpence that it cost. People won't pay that much for a mere magazine. But why then will they pay the same sum for a novel, which is no bulkier than the Criterion, and much less worth keeping? Because they don't pay for the novel directly. The average person never buys a new book, except perhaps a Penguin. But he does, without knowing it, buy quite a lot of books by paying twopence into lending libraries. If you could take a literary magazine out of the library just as you take a book, these magazines would become commercial propositions and would be able to enlarge their bulk as well as paying their I contributors better. It is book-borrowing and not book-buying that keeps authors and publishers alive, and there seems no good reason why the lending library system should not be extended to magazines. Restore the monthly magazine — or make the weekly paper about a quarter of an inch fatter — and you might be able to restore the short story. And incidentally the book review, which for lack of elbow room has dwindled to a perfunctory summary, might become a work of art again, as it was in the days of the Edinburgh and the Quarterly.

After reading the Matrimonial Post last week I looked in the Penguin Herodotus for a passage I vaguely remembered about the marriage customs of the Babylonians. Here it is:

Once a year in each village the maidens of an age to marry were collected altogether into one place, while the men stood round them in a circle. Then a herald called up the damsels one by one and offered them for sale. He began with the most beautiful. When she was sold for no small sum of money, he offered for sale the one who came next to her in beauty.... The custom was that when the herald had gone through the whole number of the beautiful damsels, he should then call up the ugliest and offer her to the men, asking who would agree to take her with the smallest marriage portion. And the man who offered to take the smallest sum had her assigned to him. The marriage portions were furnished by the money paid for the beautiful damsels, and thus the fairer maidens portioned out the uglier.

This custom seems to have worked very well and Herodotus is full of enthusiasm for it. He adds, however, that, like other good customs, it was already going out round about 450 BC.


June 9, 1944

Arthur Koestler's recent article in Tribune (In Tribune, 28 April 1944, Koestler had written an article in the form of a letter to a young Corporal who had written to ask for advice as to which book reviewers could be taken as reliable guides. Koestler pointed out the dismal standards of criticism prevailing in most of the press.) set me wondering whether the book racket will start up again in its old vigour after the war, when paper is plentiful and there are other things to spend your money on.

Publishers have got to live, like anyone else, and you cannot blame them for advertising their wares, but the truly shameful feature of literary life before the war was the blurring of the distinction between advertisement and criticism. A number of the so-called reviewers, and especially the best-known ones were simply blurb writers. The ‘screaming’ advertisement started some time in the nineteen-twenties, and as the competition to take up as much space and use as many superlatives as possible became fiercer, publishers’ advertisements grew to be an important source of revenue to a number of papers. The literary pages of several well-known papers were practically owned by a handful of publishers, who had their quislings planted in all the important jobs. These wretches churned forth their praise — ‘masterpiece’, ‘brilliant’, ‘unforgettable’ and so forth — like so many mechanical pianos. A book coming from the right publishers could be absolutely certain not only of favourable reviews, but of being placed on the ‘recommended’ list which industrious book borrowers would cut out and take to the library the next day.

If you published books at several different houses you soon learned how strong the pressure of advertisement was. A book coming from a big publisher, who habitually spent large sums on advertisement, might get fifty or seventy-five reviews: a book from a small publisher might get only twenty. I knew of one case where a theological publisher, for some reason, took it into his head to publish a novel. He spent a great deal of money on advertising it. It got exactly four reviews in the whole of England, and the only full-length one was in a motoring paper, which seized the opportunity to point out that the part of the country described in the novel would be a good place for a motoring tour. This man was not in the racket, his advertisements were not likely to become a regular source of revenue to the literary papers, and so they just ignored him.

Even reputable literary papers could not afford to disregard their advertisers altogether. It was quite usual to send a book to a reviewer with some such formula as, ‘Review this book if it seems any good. If not, send it back. We don't think it's worthwhile to print simply damning reviews.’

Naturally, a person to whom the guinea or so that he gets for the review means next week's rent is not going to send the book back. He can be counted on to find something to praise, whatever his private opinion of the book may be.

In America even the pretence that hack reviewers read the books they are paid to criticize has been partially abandoned. Publishers, or some publishers, send out with review copies a short synopsis telling the reviewer what to say. Once, in the case of a novel of my own, they misspelt the name of one of the characters. The same mispelling turned up in review after review. The so-called critics had not even glanced into the book — which, nevertheless, most of them were boosting to the skies.

A phrase much used in political circles in this country is ‘playing into the hands of’. It is a sort of charm or incantation to silence uncomfortable truths. When you are told that by saying this, that or the other you are ‘playing into the hands of some sinister enemy, you know that it is your duty to shut up immediately.

For example, if you say anything damaging about British imperialism, you are playing into the hands of Dr Goebbels. If you criticize Stalin you are playing into the hands of the Tablet and the Daily Telegraph. If you criticize Chiang Kai-Shek you are playing into the hands of Wang Ching-Wei — and so on, indefinitely.

Objectively this charge is often true. It is always difficult to attack one party to a dispute without temporarily helping the other. Some of Gandhi's remarks have been very useful to the Japanese. The extreme Tories will seize on anything anti-Russian, and don't necessarily mind if it comes from Trotskyist instead of right-wing sources. The American imperialists, advancing to the attack behind a smoke-screen of novelists, are always on the look-out for any disreputable detail about the British Empire. And if you write anything truthful about the London slums, you are liable to hear it repeated on the Nazi radio a week later. But what, then, are you expected to do? Pretend there are no slums?

Everyone who has ever had anything to do with publicity or propaganda can think of occasions when he was urged to tell lies about some vitally important matter, because to tell the truth would give ammunition to the enemy. During the Spanish Civil War, for instance, the dissensions on the Government side were never properly thrashed out in the left-wing press, although they involved fundamental points of principle. To discuss the struggle between the Communists and the Anarchists, you were told, would simply give the Daily Mail the chance to say that the Reds were all murdering one another. The only result was that the left-wing cause as a whole was weakened. The Daily Mail may have missed a few horror stories because people held their tongues, but some all-important lessons were not learned, and we are suffering from the fact to this day.


June 16, 1944

Several times, by word of mouth and in writing, I have been asked why I do not make use of this column for an onslaught on the Brains Trust. (The Brains Trust was a popular B.B.C. programme, led by Dr Joad, head of the Department of Psychology and Philosophy at Birkbeck College, London, with a panel of ‘experts’ which answered questions sent in by listeners). ‘For Christ's sake take a crack at Joad,’ one reader put it. Now, I would not deny that the Brains Trust is a very dismal thing. I am objectively anti-Brains Trust, in the sense that I always switch off any radio from which it begins to emerge. The phony pretence that the whole thing is spontaneous and uncensored, the steady avoidance of any serious topic and concentration on questions of the ‘Why do children's ears stick out’ type, the muscularcurate heartiness of the question-master, the frequently irritating voices, and the thought of incompetent amateur broadcasters being paid ten or fifteen shillings a minute to say ‘Er — er — er’, are very hard to bear. But I cannot feel the same indignation against this programme as many of my acquaintances seem to do, and it is worth explaining why.

By this time the big public is probably growing rather tired of the Brains Trust, but over a long period it was a genuinely popular programme. It was listened to not only in England, but in various other parts of the world, and its technique has been adopted by countless discussion groups in the Forces and Civil Defence. It was an idea that ‘took on’, as the saying goes. And it is not difficult to see why. By the standards of newspaper and radio discussion prevailing in this country up to about 1940, the Brains Trust was a great step forward. It did at least make some show of aiming at free speech and at intellectual seriousness, and though latterly it has had to keep silent about ‘politics and religion’, you could pick up from it interesting facts about birds’ nest soup or the habits of porpoises, scraps of history and a smattering of philosophy. It was less obviously frivolous than the average radio programme. By and large it stood for enlightenment, and that was why millions of listeners welcomed it, at any rate for a year or two.

It was also why the Blimps loathed it, and still do. The Brains Trust is the object of endless attacks by right-wing intellectuals of the G. M. Young-A. P. Herbert type (also Mr Douglas Reed), and when a rival brains trust under a squad of clergymen was set up, all the Blimps went about saying how much better it was than Joad and company. These people see the Brains Trust as a symbol of freedom of thought, and they realize that, however silly its programmes may be in themselves, their tendency is to start people thinking. You or I, perhaps, would not think of the B.B.C. as a dangerously subversive organization, but that is how it is regarded in some quarters, and there are perpetual attempts to interfere with its programmes. To a certain extent a man may be known by his enemies, and the dislike with which all right-thinking people have regarded the Brains Trust — and also the whole idea of discussion groups, public or private — from the very start, is a sign that there must be something good in it. That is why I feel no strong impulse to take a crack at Dr Joad, who gets his fair share of cracks anyway. I say rather: just think what the Brains Trust would have been like if its permanent members had been (as they might so well have been) Lord Eiton, Mr Harold Nicolson and Mr Alfred Noyes.

One cannot buy magazines from abroad nowadays, but I recommend anyone who has a friend in New York to try and cadge a copy of Politics, the new monthly magazine, edited by the Marxist literary critic, Dwight Macdonald. I don't agree with the policy of this paper, which is anti-war (not from a pacifist angle), but I admire its combination of highbrow political analysis with intelligent literary criticism. It is sad to have to admit it, but we have no monthly or quarterly magazines in England to come up to the American ones — for there are several others of rather the same stamp as Politics. We are still haunted by a half-conscious idea that to have aesthetic sensibilities you must be a Tory. But of course the present superiority of American magazines is partly due to the war. Politically, the paper in this country most nearly corresponding to Politics would be, I suppose, the New Leader. You have only to compare the get-up, the style of writing, the range of subjects and the intellectual level of the two papers, to see what it means to live in a country where there are still leisure and wood-pulp.


June 23, 1944

The week before last Tribune printed a centenary article on Gerard Manley Hopkins, and it was only after this that the chance of running across an April number of the American Nation reminded me that 1944 is also the centenary of a much better-known writer — Anatole France.

When Anatole France died, twenty years ago, his reputation suffered one of those sudden slumps to which highbrow writers who have lived long enough to become popular are especially liable. In France, according to the charming French custom, vicious personal attacks were made upon him while he lay dying and when he was freshly dead. A particularly venomous one was written by Pierre Drieu la Rochelle, afterwards to become a collaborator of the Nazis. In England, also, it was discovered that Anatole France was no good. A few years later than this a young man attached to a weekly paper (I met him afterwards in Paris and found that he could not buy a tram ticket without assistance) solemnly assured me that Anatole France ‘wrote very bad French’. France was, it seemed, a vulgar, spurious and derivative writer whom everyone could now ‘see through’. Round about the same time, similar discoveries were being made about Bernard Shaw and Lytton Strachey: but curiously enough all three writers have remained very readable, while most of their detractors are forgotten.

How far the revulsion against Anatole France was genuinely literary I do not know. Certainly he had been overpraised, and one must at times get tired of a writer so mannered and so indefatigably pornographic. But it is unquestionable that he was attacked partly from political motives. He may or may not have been a great writer, but he was one of the symbolic figures in the politico-literary dogfight which has been raging for a hundred years or more. The clericals and reactionaries hated him in just the same way as they hated Zola. Anatole France had championed Dreyfus, which needed considerable courage, he had debunked Joan of Arc, he had written a comic history of France; above all, he had lost no opportunity of poking fun at the Church. He was everything that the clericals and revanchistes, the people who first preached that the Boche must never be allowed to recover and afterwards sucked the blacking off Hitler's boots, most detested.

I do not know whether Anatole France's most characteristic books, for instance, La Patisserie de la Reine Pedauque, are worth rereading at this date. Whatever is in them is really in Voltaire. But it is a different story with the four novels dealing with Monsieur Bergeret. Besides being extremely amusing these give a most valuable picture of French society in the nineties and the background of the Dreyfus case. There is also ‘Crainquebille’, one of the best short stories I have ever read, and incidentally a devastating attack on ‘law and order’.

But though Anatole France could speak up for the working class in a story like ‘Crainquebille’, and though cheap editions of his works were advertised in Communist papers, one ought not really to class him as a Socialist. He was willing to work for Socialism, even to deliver lectures on it in draughty halls, and he knew that it was both necessary and inevitable, but it is doubtful whether he subjectively wanted it. The world, he once said, would get about as much relief from the coming of Socialism as a sick man gets from turning over in bed. In a crisis he was ready to identify himself with the working class, but the thought of a Utopian future depressed him, as can be seen from his book La Pierre Blanche. There is an even deeper pessimism on Les Dieux Ont Soif, his novel about the French Revolution. Temperamentally he was not a Socialist but a Radical. At this date that is probably the rarer animal of the two, and it is his Radicalism, his passion for liberty and intellectual honesty, that give their special colour to the four novels about Monsieur Bergeret.

I have never understood why the News Chronicle, whose politics are certainly a very pale pink — about the colour of shrimp paste, I should say, but still pink — allows the professional Roman Catholic Timothy Shy’ (D. B. Wyndham Lewis) to do daily sabotage in his comic column. In Lord Beaverbrook's Express his fellow-Catholic ‘Beachcomber’ (J. B. Morton) is, of course, more at home.

Looking back over the twenty years or so that these two have been on the job, it would be difficult to find a reactionary cause that they have not championed — Pilsudski, Mussolini, appeasement, flogging, Franco, literary censorship; between them they have found good words for everything that any decent person instinctively objects to. They have conducted endless propaganda against Socialism, the League of Nations and scientific research. They have kept up a campaign of abuse against every writer worth reading, from Joyce onwards. They were viciously anti-German until Hitler appeared, when their anti-Germanism cooled off in a remarkable manner. At this moment, needless to say, the especial target of their hatred is Beveridge.

It is a mistake to regard these two as comics pure and simple. Every word they write is intended as Catholic propaganda, and some at least of their co-religionists think very highly of their work in this direction. Their general ‘line’ will be familiar to anyone who has read Chesterton and kindred writers. Its essential note is denigration of England and of the Protestant countries generally. From the Catholic point of view this is necessary. A Catholic, at least an apologist, feels that he must claim superiority for the Catholic countries, and for the Middle Ages as against the present, just as a Communist feels that he must in all circumstances support the U.S.S.R. Hence the endless jibing of ‘Beachcomber’ and ‘Timothy Shy’ at every English institution — tea, cricket, Wordsworth, Charlie Chaplin, kindness to animals, Nelson, Cromwell and what-not. Hence also Timothy Shy's attempts to rewrite English history and the snarls of hatred that escape him when he thinks of the defeat of the Spanish Armada. (How it sticks in his gizzard, that Spanish Armada! As though anyone cared, at this date!) Hence, even the endless jeering at novelists, the novel being essentially a post-Reformation form of literature at which on the whole Catholics have not excelled.

From either a literary or a political point of view these two are simply the leavings on Chesterton's plate. Chesterton's vision of life was false in some ways, and he was hampered by enormous ignorance, but at least he had courage. He was ready to attack the rich and powerful, and he damaged his career by doing so. But it is the peculiarity of both ‘Beachcomber’ and ‘Timothy Shy’ that they take no risks with their own popularity. Their strategy is always indirect. Thus, if you want to attack the principle of freedom of speech, do it by sneering at the Brains Trust, as if it were a typical example. Dr Joad won't retaliate! Even their deepest convictions go into cold storage when they become dangerous. Earlier in the war, when it was safe to do so, ‘Beachcomber’ wrote viciously anti-Russian pamphlets, but no anti-Russian remarks appear in his column these days. They will again, however, if popular pro-Russian feeling dies down. I shall be interested to see whether either ‘Beachcomber’ or ‘Timothy Shy’ reacts to these remarks of mine. If so, it will be the first recorded instance of either of them attacking anyone likely to hit back. (They never did.)


June 30, 1944

I notice that apart from the widespread complaint that the German pilotless planes ‘seem so unnatural’ (a bomb dropped by a live airman is quite natural, apparently), some journalists are denouncing them as barbarous, inhumane and ‘an indiscriminate attack on civilians’.

After what we have been doing to the Germans over the past two years, this seems a bit thick, but it is the normal human response to every new weapon. Poison gas, the machine-gun, the submarine, gunpowder, and even the crossbow were similarly denounced in their day. Every weapon seems unfair until you have adopted it yourself. But I would not deny that the pilotless plane, flying bomb, or whatever its correct name may be, is an exceptionally unpleasant thing, because, unlike most other projectiles, it gives you time to think. What is your first reaction when you hear that droning, zooming noise? Inevitably it is a hope that the noise won't stop. You want to hear the bomb pass safely overhead and die away into the distance before the engine cuts out. In other words, you are hoping it will fall on somebody else. So also when you dodge a shell or an ordinary bomb – but in that case you have only about five seconds to take cover and no time to speculate on the bottomless selfishness of the human being.


July 7, 1944

When the Caliph Omar destroyed the libraries of Alexandria he is supposed to have kept the public baths warm for eighteen days with burning manuscripts, and great numbers of tragedies by Euripides and others are said to have perished, quite irrecoverably. I remember that when I read about this as a boy it simply filled me with enthusiastic approval. It was so many less words to look up in the dictionary — that was how I saw it. For, though I am only forty-one, I am old enough to have been educated at a time when Latin and Greek were only escapable with great difficulty, while ‘English’ was hardly regarded as a school subject at all.

Classical education is going down the drain at last, but even now there must be far more adults who have been flogged through the entire extant works of Aeschylus, Sophocles, Euripides, Aristophanes, Vergil, Horace and various other Latin and Greek authors than have read the English masterpieces of the eighteenth century. People pay lip service to Fielding and the rest of them, of course, but they don't read them, as you can discover by making a few inquiries among your friends. How many people have ever read Tom Jones, for instance? Not so many have even read the later books of Gulliver's Travels. Robinson Crusoe has a sort of popularity in nursery versions, but the book as a whole is so little known that few people are even aware that the second part (the journey through Tartary) exists. Smollett, I imagine, is the least read of all. The central plot of Shaw's play, Pygmalion, is lifted out of Peregrine Pickle, and I believe that no one has ever pointed this out in print, which suggests that few people can have read the book. But what is strangest of all is that Smollett, so far as I know, has never been boosted by the Scottish Nationalists, who are so careful to claim Byron for their own. Yet Smollett, besides being one of the best novelists the English-speaking races have produced, was a Scotsman, and proclaimed it openly at a time when being so was anything but helpful to one's career.

Life in the civilized world.

(The family are at tea.)


‘Is there an alert on?’

‘No, it's all clear.’

‘I thought there was an alert on.’


‘There's another of those things coming!’

‘It's all right, it's miles away.’


‘Look out, here it comes! Under the table, quick!’


‘It's all right, it's getting fainter.’


‘It's coming back!’

‘They seem to kind of circle round and come back again. They've got something on their tails that makes them do it. Like a torpedo.’


‘Christ! It's bang overhead!’

Dead silence.

‘Now get right underneath. Keep your head well down. What a mercy baby isn't here!’

‘Look at the cat! He's frightened too.’

‘Of course animals know. They can feel the vibrations.’


‘It's all right, I told you it was miles away.’

(Tea continues.)

I see that Lord Winterton, writing in the Evening Standard, speaks of the ‘remarkable reticence (by no means entirely imposed by rule or regulation) which Parliament and press alike have displayed in this war to avoid endangering national security’ and adds that it has ‘earned the admiration of the civilized world’.

It is not only in war-time that the British press observes this voluntary reticence. One of the most extraordinary things about England is that there is almost no official censorship, and yet nothing that is actually offensive to the governing class gets into print, at least in any place where large numbers of people are likely to read it. If it is ‘not done’ to mention something or other, it just doesn't get mentioned. The position is summed up in the lines by (I think) Hilaire Belloc:

You cannot hope to bribe or twist
Thank God! the British journalist
But seeing what the man will do
Unbribed, there's no occasion to.

No bribes, no threats, no penalties — just a nod and a wink and the thing is done. A well-known example was the business of the Abdication. Weeks before the scandal officially broke, tens or hundreds of thousands of people had heard all about Mrs Simpson, and yet not a word got into the press, not even into the Daily Worker, although the American and European papers were having the time of their lives with the story. Yet I believe there was no definite official ban: just an official ‘request’ and a general agreement that to break the news prematurely ‘would not do’. And I can think of other instances of good news stories failing to see the light although there would have been no penalty for printing them.

Nowadays this kind of veiled censorship even extends to books. The M.O.I, does not, of course, dictate a party line or issue an index expurgatorius. It merely ‘advises’. Publishers take manuscripts to the M.O.I, and the M.O.I, ‘suggests’ that this or that is undesirable, or premature, or ‘would serve no good purpose’. And though there is no definite prohibition, no clear statement that this or that must not be printed, official policy is never flouted. Circus dogs jump when the trainer cracks his whip, but the really well-trained dog is the one that turns his somersault when there is no whip. And that is the state we have reached in this country thanks to three hundred years of living together without a civil war.

Here is a little problem sometimes used as an intelligence test.

A man walked four miles due south from his house and shot a bear. He then walked two miles due west, then walked another four miles due north and was back at his home again. What was the colour of the bear?

The interesting point is that — so far as my own observations go — men usually see the answer to this problem and women do not.


July 14, 1944

I have received a number of letters, some of them quite violent ones, attacking me for my remarks on Miss Vera Brittain's anti-bombing pamphlet. There are two points that seem to need further comment.

First of all there is the charge, which is becoming quite a common one, that ‘we started it,’ i.e. that Britain was the first country to practise systematic bombing of civilians. How anyone can make this claim, with the history of the past dozen years in mind, is almost beyond me. The first act in the present war – some hours, if I remember rightly, before any declaration of war passed — was the German bombing of Warsaw. The Germans bombed and shelled the city so intensively that, according to the Poles, at one time 700 fires were raging simultaneously. They made a film of the destruction of Warsaw, which they entitled ‘Baptism of Fire’ and sent all round the world with the object of terrorising neutrals. Several years earlier than this the Condor Legion, sent to Spain by Hitler, had bombed one Spanish city after another. The ‘silent raids’ on Barcelona in 1938 killed several thousand people in a couple of days. Earlier than this the Italians had bombed entirely defenseless Abyssinians and boasted of their exploites as something screamingly funny. Bruno Mussolini wrote newspaper articles in which he described bombed Abyssinians ‘bursting open like a rose’, which he said was ‘most amusing’. And the Japanese ever since 1931, and intensively since 1937, have been bombing crowded Chinese cities where there are not even any ARP arrangements, let alone any AA guns or fighter aircraft.

I am not arguing that two blacks make a white, nor that Britain's record is a particularly good one. In a number of ‘little wars’ from about 1920 onwards the RAF has dropped its bombs on Afghans, Indians and Arabs who had little or no power of hitting back. But it is simply untruthful to say that large-scale bombing of crowded town areas, with the object of causing panic, is a British invention. It was the Fascist states who started this practice, and so long as the air war went in their favour they avowed their aims quite clearly.

The other thing that needs dealing with is the parrot cry ‘killing women and children’. I pointed out before, but evidently it needs repeating, that it is probably somewhat better to kill a cross-section of the population than to kill only the young men. If the figures published by the Germans are true, and we have really killed 1,200,000 civilians in our raids, that loss of life has probably harmed the German race somewhat less than a corresponding loss on the Russian front or in Africa and Italy.

Any nation at war will do its best to protect its children, and the number of children killed in raids probably does not correspond to their percentage of the general population. Women cannot be protected to the same extent, but the outcry against killing women, if you accept killing at all, is sheer sentimentality. Why is it worse to kill a woman than a man? The argument usually advanced is that in killing women you are killing the breeders, whereas men can be more easily spared. But this is a fallacy based on the notion that human beings can be bred like animals. The idea behind it is that since one man is capable of fertilizing a very large number of women, just as a prize ram fertilizes thousands of ewes, the loss of male lives is comparatively unimportant. Human beings, however, are not cattle. When the slaughter caused by war leaves a surplus of women, the enormous majority of those women bear no children. Male lives are very nearly as important, biologically, as female ones.

In the last war the British Empire lost nearly a million men killed, of whome about three-quarters came from these islands.

Most of them will have been under thirty. If all those young men had had only one child each whe should now have en extra 750,000 people round about the age of twenty. France, which lost much more heavily, never recovered from the slaughter of the last war, and it is doubtful whether Britain has fully recovered, either. We can't yet calculate the casualties of the present war, but the last one killed between ten and twenty million young men. Had it been conducted, as the next one will perhaps be, with flying bombs, rockets and other long-range weapons which kill old and young, healthy and unhealthy, male and female impartially, it would probably have damaged European civilization somewhat less than it did.

Contrary to what some of my correspondents seem to think, I have no enthusiasm for air raids, either ours or the enemy's, Like a lot of other people in this country, I am growing definitely tired of bombs. But I do object to the hypocrisy of accepting force as an instrument while squealing against this or that individual weapon, or of denouncing war while wanting to preserve the kind of society that makes war inevitable. I note in my diary for 1940 an expectation that commercial advertisements will have disappeared from the walls within a year. This seemed likely enough at the time, and a year or even two years later the disappearance seemed to be actually happening, though more slowly than I had expected. Advertisements were shrinking both in numbers and size, and the announcements of the various Ministries were more and more taking their place both on the walls and in the newspapers. Judging from this symptom alone, one would have said that commercialism was definitely on the downgrade. In the last two years, however, the commercial ad, in all its silliness and snobbishness, has made a steady comeback. In recent years I consider that the most offensive of all British advertisements are the ones for Rose's Lime Juice, with their ‘young squire’ motif and their P. G. Wodehouse dialogue.

‘I fear you do not see me at my best this morning, Jenkins. There were jollifications last night. Your young master looked upon the wine when it was red and also upon the whisky when it was yellow. To use the vulgar phrase, I have a thick head. What do you think the doctor would prescribe, Jenkins?’

‘If I might make so bold, sir, a glass of soda water with a dash of Rose's Lime Juice would probably have the desired effect.’ ‘Go to it, Jenkins! You were always my guide, philosopher and friend,’ etc., etc., etc.

When you reflect that this advertisement appears, for instance, in every theatre programme, so that every theatre-goer is at any rate assumed to have a secret fantasy life in which he thinks of himself as a young man of fashion with faithful old retainers, the prospect of any drastic social change recedes perceptibly.

There are also the hairtonic adverts which tell you how Daphne got promotion in the W.A.A.F.S. (women's auxiliary air force) thanks to the neatness and glossiness of her hair. But these are misleading as well as whorish, for I seldom or never pass a group of officers in the W.A.A.F.S., A.T.S. or W.R.E.N.S. (women's royal naval service) without having cause to reflect that at any rate, promotion in the women's service has nothing to do with looks.


George Orwell: ‘As I Please’
First published: Tribune. — GB, London. — December 1943.

— ‘The Collected Essays, Journalism and Letters of George Orwell’. — 1968.

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